Where was miles davis born
Miles davis biography youtube: Library resources about Miles Davis. In mid, Davis failed to register for the year's autumn term at Juilliard and dropped out after three semesters [ 15 ] [ 36 ] [ 26 ] because he wanted to perform full-time. Retrieved June 22, It was during this period that Davis worked on developing the improvisational style that defined his trumpet playing.
Miles Davis - LAST REVIEWED: 24 February
- LAST MODIFIED: 24 February
- DOI: /obo/
- LAST REVIEWED: 24 February
- LAST MODIFIED: 24 February
- DOI: /obo/
Berendt, Joachim-Ernst, and Günther Huesmann. The Jazz Book: From Ragtime to the 21st Century.
7th ed. Rev. and expanded. Chicago: Lawrence Hill Books,
Miles Davis is featured in several places in this comprehensive book on jazz and is mentioned hundreds of times in all possible contexts. Dedicated sections include an extended feature in “Musicians of Jazz” out of eleven total and several paragraphs with “the Trumpeters.” Davis also has a prominent place in several sections of the “Styles of Jazz” as well as big bands and combo sections.
Miles davis biography children The ground was set for the focus on innovation that would define the next six years of his career. With a seven-piece band that included Scofield, Evans, Irving, Foster, and Darryl Jones , he played a series of European performances that were positively received. March 11, After returning to New York, Davis revived his quintet with Adderley [ 42 ] and Coltrane, who was clean from his drug habit.Excellent as a Davis survey.
Coryell, Julie, and Laura Friedman. Jazz-Rock Fusion: The People, the Music. New York: Delacourt Press,
With a dedication to Miles Davis, this was the first book on fusion. The ten-page section dedicated to Davis is a comprehensive biography followed by extended interview excerpts on a variety of topics, many well beyond the concept of fusion.
Davis’s thoughts on Ellington, Gillespie, Stockhausen, and Chopin are indicative of the breadth of this material. Significant features of many of Davis’s s sidepeople supplement Davis research.
DeVeaux, Scott, and Gary Giddins. Jazz. New York: W.W. Norton,
A distinctive retelling of the history of jazz from a contemporary perspective in a textbook by two of the premier jazz musicologists and critics of the day.
While Davis shares only one chapter title with John Coltrane, his presence is pervasive as influential throughout all modern styles and eras: bebop, cool, hard bop, modal, fusion, s. Davis commands three of the seventy-seven listening examples; only matched by Louis Armstrong.
Fellezs, Kevin.
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion. Durham, NC: Duke University Press,
DOI: /
A focus on four artists who all have recognized the vast impact Davis had on their lives and their careers; three of the four were integral members of Miles Davis ensembles of the s. Fellezs discusses the role of genre formation and understanding, as well as cultural legitimacy, in the development of jazz-rock fusion, and how Miles Davis was at the center of these factors.
Gioia, Ted.
The History of Jazz. 2d ed.
Miles davis biography fusion recordings Oxford University Press. Archived from the original on December 5, Show me! While Bitches Brew serves as the culmination of Miles' late-'60s fusion experiments, it also launched his music into entirely new places.New York: Oxford University Press,
A clear narrative with an abundance of nuance, both historically and critically, Davis features prominently throughout starting with the beginning of the modern jazz era. Biographical details are enmeshed with the narrative of Davis’s role in the development of most modern styles from cool, s neo-traditional, modal, and fusion.
Conspicuous in its absence is hard bop. Significant focus on Davis’s influence on others and their influence on him.
Gridley, Mark C. Jazz Styles: History and Analysis. 11th ed. Boston: Pearson,
Among the most highly regarded jazz history textbooks, Gridley’s inclusion of Davis in bebop and hard bop sections are more extensive than most other histories.
Significant emphasis on Davis’s influence on modern trumpeters. Dedicated chapter on Davis through includes stylistic analysis, Gil Evans, and the major groups of the s and s.
Miles davis biography movie The A. While he was still able to record, it was a difficult period for the musician and his performances were haphazard. Lifetime Achievement Award. Davis reunited with Cawthon and their daughter when they moved to New York City.All four modern jazz pianists featured were Davis sidepeople. Coverage in jazz-rock fusion but nothing after
Martin, Henry, and Keith Waters. Jazz: The First Hundred Years. Enhanced 3d ed. Boston: Cengage Learning,
Full-color graphics throughout and nuanced perspectives addressing issues in new musicology make this a compelling entry in this category.
Davis is handled extensively throughout, with several multipage sections clarifying Davis’s role in the development of several subgenres of modern jazz, including cool, hard bop, modal, post bop, and fusion. Davis is represented in four separate substantive listening guides from to
Nicholson, Stuart. Jazz Rock: A History.
New York: Schirmer Books,
One of the most advanced book-length projects on fusion as a piece of historical musicology, Davis is at least one of the primary subjects of four out of fifteen chapters. Establishing the Davis primacy in jazz by , Nicholson covers the mids quintet as a precedent for the fusion Davis was to help break into the mainstream.
Complete coverage of Miles Davis’s fusion extends through the end of his career.
Shipton, Alyn.
Miles davis life story Winner of eight Grammy awards, Davis died in from respiratory distress in Santa Monica, California. Martin Luther King Jr. Archived from the original on August 8, Archived from the original on March 16,A New History of Jazz. Rev. and updated ed. New York: Continuum,
Arguably the most comprehensive jazz history in print at over eight hundred pages. Good coverage of many aspects of Davis’s career, with some notable gaps. Starting with when Davis studied jazz harmony at Monk’s house, Davis mentions are spotty throughout the s until a thorough, dedicated “Early Miles Davis” chapter.
Minimal coverage of the mids quintet and included as bandleader in Coltrane chapter. Lackluster analysis of fusion period.